Fall 2018 Class Schedule
Course # | Title | Instructor | Day/Time | |
---|---|---|---|---|
Portuguese 101-1 | Elementary Portuguese | Check CAESAR | TBA | |
Portuguese 101-1 Elementary PortugueseIntroduction to grammar and development of listening, speaking, reading, and writing skills in Brazilian Portuguese, as well as the history and culture of Portuguese-speaking countries. | ||||
Portuguese 115-2 | Portuguese for Spanish Speakers | Check CAESAR | TBA | |
Portuguese 115-2 Portuguese for Spanish SpeakersFor students proficient in Spanish. Comparative sociolinguistic and interactive approach to communicative competence emphasizing pronunciation, intonation, sentence structure, and patterns of spoken and written Portuguese. Prerequisite: PORT 115-1 or Placement | ||||
Portuguese 202-0 | Contemporary Brazil: Literature and Film | Check CAESAR | TBA | |
Portuguese 202-0 Contemporary Brazil: Literature and FilmInstruction in reading and writing expository and narrative prose. Emphasis on vocabulary, linguistic skills, and syntax appropriate to formal written Portuguese. Prerequisite: PORT 115-2, PORT 121-3, or sufficient score on placement examination. | ||||
Spanish 101-0 | Elementary Spanish | Check CAESAR | TBA | |
Spanish 101-0 Elementary SpanishFor students who have studied Spanish less than two years. Communicative method. Development of speaking, listening, conversation, and grammar skills, as well as knowledge of Hispanic culture, through context. Three class meetings a week. Outside online video program twice a week. Prerequisites: None Restrictions: No P/N; Attendance at first class required | ||||
Spanish 105-6 | First-Year Seminar: Women At The Border: The Marginalization Of Latinas In The U.S. | Check CAESAR | TBA | |
Spanish 105-6 First-Year Seminar: Women At The Border: The Marginalization Of Latinas In The U.S.Latina immigrants to the U.S. often leave intolerable circumstances and brave life-threatening border crossings in pursuit of the American dream. Yet, those who succeed in crossing the geographic border almost inevitably find that the marginalized existence they hoped to leave behind takes on an equally powerful form in their new world as they confront economic, political, racial, and cultural barriers 'north' of the border. Immigration has become one of the 'hot' buttons of contemporary social and political dialogue. Through the prism of the Latina experience in the United States, this class will explore causes and consequences of global migration in the 21st century, analyze the marginalization of third-world immigrants in first-world society, and seek to develop an understanding of the evolving 'face' of America. Students will further examine how their own ancestral experiences have helped shape their perceptions of this new world order. | ||||
Spanish 121-1 | Intermediate Spanish | Check CAESAR | TBA | |
Spanish 121-1 Intermediate SpanishCommunicative method. Further development of grammar, vocabulary, speaking, and writing skills through emphasis on cultural content and functional use of Spanish language. Three class meetings a week. Outside online video program twice a week. Prerequisites: SPANISH 101-3, SPANISH 115-2, or Spanish Language Placement Exam Restrictions: No P/N; Attendance at first class required | ||||
Spanish 125-0 | Accelerated Intermediate Spanish | Check CAESAR | MWF 9am, 10am, 11am, 12pm, 1pm, 2pm, 3pm | |
Spanish 125-0 Accelerated Intermediate SpanishCommunicative method. Further development of grammar, vocabulary, speaking, and writing skills through readings and short films. Three class meetings a week. Outside online video. Offered in fall only. Prerequisites: AP score of 3 or Spanish Language Placement Exam. Restrictions: No P/N; Attendance at first class required | ||||
Spanish 127-0 | Accelerated Intermediate Spanish for Heritage Language Learners | Check CAESAR | TBA | |
Spanish 127-0 Accelerated Intermediate Spanish for Heritage Language LearnersCommunicative method. Further development of grammar, vocabulary, speaking, and writing skills through readings and short films. Three class meetings a week. Outside online video. Offered in fall only. Prerequisites: AP score of 3 or Spanish Language Placement Exam Restrictions: No P/N; Attendance at first class required | ||||
Spanish 199-0 | Language in Context: Contemporary Spain | Check CAESAR | MWF 10am, 11am, 12pm, 1pm, 2pm | |
Spanish 199-0 Language in Context: Contemporary SpainAn introduction to the culture and politics of contemporary Spain in the basis for review and further development of some of the most problematic grammatical patterns in Spanish. Prerequisites: SPANISH 121-3, SPANISH 125-0, or AP score of 4 on Spanish Language Placement Exam. Restrictions: No P/N; Attendance at first class required | ||||
Spanish 201-0 | Conversation on Human Rights: Latin America | Check CAESAR | MWF 9am, 10am | |
Spanish 201-0 Conversation on Human Rights: Latin AmericaFirst course of a sequence designed to develop speaking strategies and structures through analysis of modern (20th- and 21st-century) Latin American culture. Emphasis on accurate informal conversation. Three class meetings a week. Prerequisites: SPANISH 199-0 or departmental sufficient Spanish Language Placement Exam. Restrictions: No P/N; Attendance at first class required | ||||
Spanish 203-0 | Individual and Society through Written Expression | Check CAESAR | MWF 9am, 11am, 12pm, 1pm, 3pm | |
Spanish 203-0 Individual and Society through Written ExpressionFirst course of a sequence that develops writing skills and structures through examination of the relationship between the individual and society. Emphasis on textual analysis and development of descriptive, narrative, and argumentative essays. Prerequisites: SPANISH 201-0, AP score of 5 on the Spanish Language or Literature Exam, or departmental Spanish Language Placement Exam. Restrictions: No P/N; Attendance at first class required. | ||||
Spanish 204-0 | Reading and Writing the Art of Protest | Check CAESAR | TBA | |
Spanish 204-0 Reading and Writing the Art of ProtestSecond course of a sequence designed to develop writing skills and structures through analysis of socially-committed art. Emphasis on cultural analysis and development of longer essays. Three class meetings a week. Prerequisites: SPANISH 203-0 or SPANISH 207-0 Restrictions: No P/N; Attendance at first class required. | ||||
Spanish 220-0 | Introduction to Literary Analysis | Check CAESAR | TBA | |
Spanish 220-0 Introduction to Literary AnalysisIntroduction to textual analysis and to topics such as genre, narratology, prosody, and figurative language, aiming to prepare the student to read, discuss, and write analytically in Spanish about literature and culture. Prerequisite: SPANISH 204-0 or AP 5 in Spanish Language AND Literature. | ||||
Spanish 231-0 | The "New" Latin American Narrative
| Check CAESAR | TBA | |
Spanish 231-0 The "New" Latin American NarrativeSo, what's "new" about the New Latin American Narrative? The course approaches this question by considering several major trends in Latin American literature in the second half of the twentieth century. Focusing on novels, short fiction, and testimonial writing, we will study representative works from the pre-Boom (1940s-1950s), Boom (1960s to early 1970s) and post-Boom (1970s & beyond) decades in Latin American literature. Although the new narrative is often identified with the Boom era--when Latin American literature "exploded" onto the world stage--and with Boom novels, we will take a broader view to consider the diverse types of texts that represent important new currents in the region. Focus on works by writers such as Jorge Luis Borges, Julio Cortazar, Rosario Ferre, Carlos Fuentes, Rigoberta Menchu, Manuel Puig, Ana Maria Shua, or Luisa Valenzuela. Prerequisite: None. Reading and discussion in English. This course may count for the major or minor in Spanish; consult with an advisor. No P/NP | ||||
Spanish 250-0 | Literature in Spain before 1700 | Check CAESAR | TBA | |
Spanish 250-0 Literature in Spain before 1700This survey course offers an introduction to the most influential Spanish literary and cultural works of the Middle Ages and Golden Age periods. From the first manifestations of the written romance language (Glosas del monasterio de San Millan de la Cogolla, Xth c.) to the mester de juglaría and the Poema del Cid and the mester de clerecia of Gonzalo de Berceo to the poetry of Garcilaso de la Vega, this course also studies the origins of Spanish in "vulgar" latin in conjunction with religion and history. Prerequisite: SPANISH 220-0 (Can be taken concurrently), or with teacher permission if 220 hasn't been taken. | ||||
Spanish 261-0 | Literature in Latin America since 1888 | Check CAESAR | TBA | |
Spanish 261-0 Literature in Latin America since 1888Survey of the modern period, including modernismo, the historical avant-garde, the "Boom," and recent literary trends. Authors such as Delmira Agustini, Jorge Luis Borges, Julio Cortazar, Ruben Dario, Gabriel Garcia Marquez, Jose Marti, Pablo Neruda, Cristina Peri Rossi, and Elena Poniatowska. Prerequisite: SPANISH 220-0 (may be taken concurrently). | ||||
Spanish 361-0 | Latin America: Studies in Culture and Society | Check CAESAR | TBA | |
Spanish 361-0 Latin America: Studies in Culture and SocietyAnalysis of the history of culture in Latin America with an emphasis on the intersection of politics, society, and literature and on the relationship between literary and visual culture. May be repeated for credit with different topic. | ||||
Spanish 395-0-1 | ZONAS TRANS _ Trans national, transcultural, transgender | Check CAESAR | TBA | |
Spanish 395-0-1 ZONAS TRANS _ Trans national, transcultural, transgenderIn this seminar we will explore the critical potential of aesthetic expressions, practices, and bodies trans. Trans-Zones are those which open up a new kind of space, one that is not inter or intra, in between or inside, but that generates a new territory, "un mas alli de" beyond and thus a new epistemological field. The Trans-Zone we will traverse question and undermines essentialist, oppositional and binary ideas of culture, identity and gender giving expression to a complex lived experience. They also allow us to overcome the fixed, the territorialized, the confined in order to explore the contaminated, porous, adulterated contents, where the limits imposed by certain disciplines disintegrate giving way to transdiciplinarity and the inclusion of new subjects and forms of knowledge emerging from trans-subjectivities. We will initially reflect and conceptualize the notion of Trans, with the aide of feminist critical theory. Then, we will pay especial attention to the trans-expression in contemporary Latin American culture: in art and literature, in social practices and movements, in the self-representations that contests the forms of identity, class, race and gender created by the paradigms of the national and heteronormativity. The course will be taught in Spanish. | ||||
Spanish 395-0-2 | Ways of Lying: Fiction and Parafiction in Contemporary Latin America | Check CAESAR | TBA | |
Spanish 395-0-2 Ways of Lying: Fiction and Parafiction in Contemporary Latin AmericaIn 2009, Carrie Lambert-Beatty coined the term “parafiction” to talk about artistic practices that had an act of deception at its core. As a consequence, the products of these practices (objects, projects, situations, subjects) were experienced as real and, often, unrelated to art. This course studies the phenomenon in contemporary Latin America and explores the specificities of lying, through art, in the region. Is there a particular Latin American relationship to deception? In which ways can fiction alter what we experience as real? How does art complicate the boundaries between fiction and reality and why is that complication productive? We will analyze an eclectic group of artists including, among others, Roberto Jacoby, Mario Bellatin, Pablo Helguera, Pedro Manrique Figueroa, Coco Fusco, and Guillermo Gómez Peña. | ||||
Spanish 397-0 | Sexual Dissidence & Activism in Latin America: AIDS as Critique
| Check CAESAR | TBA | |
Spanish 397-0 Sexual Dissidence & Activism in Latin America: AIDS as CritiqueThe AIDS epidemic in the 1980s and 1990s produced a new body and subjectivity. While the Global North experienced loss, mourning and activism for retroviral therapy, in the Global South too there was an emergency for viral knowledge and political recognition/inclusion. This course looks to situate the AIDS epidemic in the Latin American historical context while, at the same time, introducing its aesthetic manifestations. | ||||
SPANPORT 450 | Topics in Cultural Studies: Dangerous Bodies in Turn-of-the-Century Latin America | Nathalie Bouzaglou | W 2pm-4:50pm | |
SPANPORT 450 Topics in Cultural Studies: Dangerous Bodies in Turn-of-the-Century Latin AmericaAnalyzes representations of different sexualities in Latin American fictions and visual culture from the nineteenth and early twentieth centuries, exploring the ways that these texts and images use the body to reveal the contradictions and complexities in the construction of the national culture. Graduate seminar (taught in Spanish). | ||||
SPANPORT 455 | Comparative Studies in Latin American Cultures: Comparative Studies in Latin American Cultures Literatura and Anthropology: Brazil and France | Cesar Braga-Pinto | Th 2pm-4:50pm | |
SPANPORT 455 Comparative Studies in Latin American Cultures: Comparative Studies in Latin American Cultures Literatura and Anthropology: Brazil and FranceNOTE: Reading knowledge of Portuguese, Spanish and/or French desired but not required | ||||
SPANPORT 496-0 | Dissertation Prospectus Writing Workshop | Laura Leon Llerena | T 2pm-4:50pm | |
SPANPORT 496-0 Dissertation Prospectus Writing WorkshopThis course seeks to impart to students the knowledge necessary to answer the questions: what is a dissertation, and how do I write one? In the spirit of a workshop, we will work as a group to foster and cultivate the skill sets necessary to formulate and articulate an organizing question adequate to the charge of a significant, independent, multi-year research project. We will call this first stage the prospectus, and we will figure out what it is and how best to write it. We will try to distill multiple and often conflicting statements, expectations, and/or fears about what the dissertation is so we can effectively undertake its preparation and writing. |